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Michelangelo Antonioni war ein italienischer Filmregisseur, Autor und Maler. Michelangelo Antonioni (* September in Ferrara, Italien; † Juli in Rom) war ein italienischer Filmregisseur, Autor und Maler. von Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Michelangelo Antonioni". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum. Filme: Wo sind all die Leute hin. Wer nach filmischen Entsprechungen zum Leben unter der Ausgangssperre sucht, denkt an Dystopien. Doch menschenleere. Der architekturhistorisch bedeutenden Villa, die sich Michelangelo Antonioni in den Sechzigerjahren auf Sardinien errichten ließ, droht die. Quellen Sekundärliteratur Antonioni, Michelangelo: Die Krankheit der Gefühle, in: Kotulla, Theodor (Hrsg.): Der Film, Manifeste, Gespräche, Dokumente, Bd Deutschlands führende Nachrichtenseite. Alles Wichtige aus Politik, Wirtschaft, Sport, Kultur, Wissenschaft, Technik und mehr.
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Dear Antonioni... from a letter by Roland Barthes (1997)Antonioni Navigationsmenü Video
L'Avventura di Michelangelo Antonioni - 1960 - 144' completoAntonioni - Inhaltsverzeichnis
Artikel merken In den Warenkorb Artikel ist im Warenkorb. Mai mit einem fulminanten Musikalbum zurück:…. Antonioni Menu de navigation Video
La Signora Senza Camelie - Film Completo by Film\u0026ClipsDopo la cosiddetta "tetralogia", Antonioni intraprende un'avventura decennale all'estero, girando in lingua inglese e con attori protagonisti stranieri, tre lungometraggi per il produttore Carlo Ponti : Blow-Up , del , Zabriskie Point , del e Professione: reporter The Passenger , del Dopo cinque anni di silenzio creativo, torna alla regia con un film sperimentale per la televisione, Il mistero di Oberwald , del , girato con innovativi e anomali mezzi elettronici.
Dopo la lavorazione di questo film, Antonioni, assistito dalla compagna Enrica Fico , si limita a dirigere qualche documentario e accetta di dirigere il videoclip di Fotoromanza per Gianna Nannini [16] e uno spot pubblicitario per la Renault.
Nel novembre Antonioni sposa la Fico alla quale era sentimentalmente legato da 14 anni. Nel il progetto del suo film La ciurma [18] , una coproduzione internazionale che avrebbe dovuto essere girata a Miami e in Messico [19] con Matt Dillon [20] come protagonista, viene definitivamente annullato dopo una gestazione di diversi anni [17] [21].
Fra i vari progetti che non giungeranno a termine, nel sfuma anche Destinazione Verna , un kolossal fantascientifico con Sophia Loren come protagonista e, fra gli altri, Jack Nicholson e Naomi Campbell [22].
Muore a 95 anni il 30 luglio nella sua casa romana, assistito dalla moglie, nello stesso giorno in cui scompare anche il regista svedese Ingmar Bergman.
Il 29 settembre il Comune di Ferrara ha promosso una grande festa per il centesimo compleanno di Antonioni, nato a Ferrara.
Nel a Ferrara venne inaugurato il Museo Michelangelo Antonioni che tuttavia, per diverse problematiche, venne chiuso nel Ferrara Arte organizza la prima mostra sulla sua opera: "Lo sguardo di Michelangelo.
Antonioni e le arti", Palazzo dei Diamanti, dal 10 marzo al 9 giugno Il desiderio dell'altro Si tratta, al contrario, di comunicazione, affettiva e viva, in ogni suo film e nei suoi disegni A volte si fissa un punto Cinema d'evidenza svelata.
Tale dialettica conferisce ai tuoi film una grande sottigliezza: la tua arte consiste nel lasciare la strada del senso sempre aperta, e come indecisa, per scrupolo.
Premio Feltrinelli per il Cinema, conferito nel dall' Accademia dei Lincei. Altri progetti. Da Wikipedia, l'enciclopedia libera. Tassone, op. URL consultato il 16 maggio URL consultato l'11 giugno URL consultato il 18 ottobre URL consultato il 17 novembre Bordwell explains that Antonioni was extremely influential on subsequent art films : "More than any other director, he encouraged filmmakers to explore elliptical and open-ended narrative.
Film director Akira Kurosawa considered Antonioni one of the most interesting filmmakers. American director Martin Scorsese paid tribute to Antonioni following his death in , stating that his films "posed mysteries — or rather the mystery, of who we are, what we are, to each other, to ourselves, to time.
You could say that Antonioni was looking directly at the mysteries of the soul. Antonioni's spare style and purposeless characters, however, have not received universal acclaim.
Ingmar Bergman stated in that while he considered the Antonioni films Blowup and La notte masterpieces, he found the other films boring and noted that he had never understood why Antonioni was held in such esteem.
Orson Welles regretted the Italian director's use of the long take : "I don't like to dwell on things. It's one of the reasons I'm so bored with Antonioni - the belief that, because a shot is good, it's going to get better if you keep looking at it.
He gives you a full shot of somebody walking down a road. And you think, 'Well, he's not going to carry that woman all the way up that road. And then she leaves and you go on looking at the road after she's gone.
American actor Peter Weller , whom Antonioni directed in Beyond the Clouds , explained in a interview: "There is no director living except maybe Kurosawa , Bergman , or Antonioni that I would fall down and do anything for.
I met Antonioni three years ago in Taormina at a film festival. I introduced myself and told him that I adored his movies, his contributions to film, because he was the first guy who really started making films about the reality of the vacuity between people, the difficulty in traversing this space between lovers in modern day From Wikipedia, the free encyclopedia.
Italian film director and screenwriter Ferrara , Kingdom of Italy. Film director screenwriter film editor author.
Letizia Balboni. Enrica Fico. It's too simplistic to say—as many people have done—that I am condemning the inhuman industrial world which oppresses the individuals and leads them to neurosis.
My intention The line and curves of factories and their chimneys can be more beautiful than the outline of trees, which we are already too accustomed to seeing.
It is a rich world, alive and serviceable There are people who do adapt, and others who can't manage, perhaps because they are too tied to ways of life that are by now out-of-date.
The New York Times. Retrieved 21 May British Film Institute. Retrieved 20 September Film Reference. Retrieved 9 May Film Quarterly.
Berkeley: University of California Press. The Guardian. Retrieved 23 January Kulleraugen in German Bright Lights Film Journal. Archived from the original on 20 July Chicago Sun-Times.
Retrieved 28 March Michelangelo Antonioni: The Investigation. Taschen , , pp. The New Yorker. Euro Screenwriters. Archived from the original on 8 April Cahiers du Cinema.
Alfred A. Knopf, Inc. Cigar Aficionado. Antonioni, Michelangelo Screenplays of Michelangelo Antonioni. New York: Orion Press. Ted Perry ed.
Antonioni: The Poet of Images. New York: Oxford University Press. This is Orson Welles. New York: HarperPerennial. Film History: An Introduction. New York: McGraw-Hill.
The Films of Michelangelo Antonioni. New York: Cambridge University Press. New York: Praeger. Antonioni: The Surface of the World.
Michelangelo Antonioni: The Complete Films. Köln: Taschen. Kubrick: The Definitive Edition. A History of Narrative Film.
New York: Norton. Film Quarterly An Introduction to World Cinema Second ed. Jefferson, NC: McFarland. Schirmer Encyclopedia of Film, Vol 4.
Something Like an Autobiography. New York: Alfred A. Dissertation on Film. Encountering Directors. New York: G. Putnam's Sons.
I film di Michelangelo Antonioni: un poeta della visione. Milan: Gremese Editore. World Film Directors: Volume Two, — New York: H.
Namensräume Artikel Diskussion. Die Liebe ist ein seltsames Spiel. Hier traf Antonioni einige jener Künstler, mit denen er später zusammenarbeiten sollte, darunter Roberto Rossellini. Aber so ein klitzekleines Filmchen Love Simon Stream Deutsch doch nicht schaden. Bitte aktivieren Sie deshalb Ihr Javascript. Antonioni beschrieb sich selbst Mulholland Drive Film marxistischen Intellektuellen. He made the documentary Chung Kuo, Cinabut it was severely denounced by the Chinese authorities as "anti-Chinese" Antonioni "anti-communist". New York: Praeger. Menu di Verhört Strumenti personali Antonioni non effettuato discussioni contributi registrati entra. He continued to do so in a series of other films: I vinti "The Vanquished",a trio of stories, each set in a different country France, Italy and Englandabout juvenile delinquency; La signora senza camelie The Lady Without The Intern Stream Deutschabout a young film star and her fall from grace; Die Besten Kriegsfilme 2019 Le amiche The Girlfriendsabout middle-class women in Turin. Bordwell explains that Antonioni was extremely influential Hawaii Five 0 Staffel 4 subsequent art films : "More than any other director, Kochen Ist Chefsache encouraged filmmakers to explore elliptical and open-ended narrative. InAntonioni suffered a stroke, which left him partly paralyzed Schneemann (Roman) unable to speak.
These childhood happenings - I was eleven years old - were like little films. Upon graduation from the University of Bologna with a degree in economics, he started writing for the local Ferrara newspaper Il Corriere Padano in as a film journalist.
In , Antonioni moved to Rome, where he worked for Cinema , the official Fascist film magazine edited by Vittorio Mussolini. However, Antonioni was fired a few months afterward.
Later that year he enrolled at the Centro Sperimentale di Cinematografia to study film technique, but left after three months. He was subsequently drafted into the army.
During the war Antonioni survived being condemned to death as a member of the Italian resistance. These films were neorealist in style, being semi-documentary studies of the lives of ordinary people.
However, Antonioni's first full-length feature film Cronaca di un amore broke away from neorealism by depicting the middle classes.
He continued to do so in a series of other films: I vinti "The Vanquished", , a trio of stories, each set in a different country France, Italy and England , about juvenile delinquency; La signora senza camelie The Lady Without Camellias , about a young film star and her fall from grace; and Le amiche The Girlfriends , about middle-class women in Turin.
Il grido The Outcry , was a return to working class stories, depicting a factory worker and his daughter. Each of these stories is about social alienation.
In Le Amiche , Antonioni experimented with a radical new style: instead of a conventional narrative, he presented a series of apparently disconnected events, and he used long takes as part of his film making style.
At the Cannes Film Festival it received a mixture of cheers [10] and boos, [11] but the film was popular in art house cinemas around the world. These three films are commonly referred to as a trilogy because they are stylistically similar and all concerned with the alienation of man in the modern world.
Antonioni then signed a deal with producer Carlo Ponti that would allow artistic freedom on three films in English to be released by MGM. The first, Blowup , [16] set in Swinging London , was a major international success.
Although it dealt with the challenging theme of the impossibility of objective standards and the ever-doubtable truth of memory, it was a successful and popular hit with audiences, no doubt helped by its sex scenes, which were explicit for the time.
It starred David Hemmings and Vanessa Redgrave. The second film was Zabriskie Point , his first set in America and with a counterculture theme.
The soundtrack carried popular artists such as Pink Floyd who wrote new music specifically for the film , the Grateful Dead and the Rolling Stones.
However, its release was a critical and commercial disaster. The third, The Passenger , starring Jack Nicholson and Maria Schneider , received critical praise, but also did poorly at the box office.
It was out of circulation for many years, but was re-released for a limited theatrical run in October and has subsequently been released on DVD.
He made the documentary Chung Kuo, Cina , but it was severely denounced by the Chinese authorities as "anti-Chinese" and "anti-communist".
In , Antonioni made Il mistero di Oberwald The Mystery of Oberwald , an experiment in the electronic treatment of color, recorded in video then transferred to film, featuring Monica Vitti once more.
Identificazione di una donna Identification of a Woman , , filmed in Italy, deals one more time with the recursive subjects of his Italian trilogy.
In , Antonioni suffered a stroke, which left him partly paralyzed and unable to speak. However, he continued to make films, including Beyond the Clouds , for which Wim Wenders filmed some scenes.
As Wenders has explained, Antonioni rejected almost all the material filmed by Wenders during the editing, except for a few short interludes.
In he was given the Honorary Academy Award "in recognition of his place as one of the cinema's master visual stylists. Months later, the statuette was stolen by burglars and had to be replaced.
Antonioni's final film, made when he was in his 90s, was a segment of the anthology film Eros , entitled "Il filo pericoloso delle cose" "The Dangerous Thread of Things".
The short film's episodes are framed by dreamy paintings and the song "Michelangelo Antonioni", composed and sung by Caetano Veloso.
Antonioni died aged 94 on 30 July in Rome, the same day that another renowned film director, Ingmar Bergman , also died.
Antonioni lay in state at City Hall in Rome where a large screen showed black-and-white footage of him among his film sets and behind-the-scenes.
He was buried in his home town of Ferrara on 2 August Critic Richard Brody described Antonioni as "the cinema's exemplary modernist " and one of its "great pictorialists—his images reflect, with a cold enticement, the abstractions that fascinated him.
Haunted by a sense of instability and impermanence, his work defined a cinema of possibilities. Antonioni's plots were experimental, ambiguous, and elusive, often featuring middle-class characters who suffer from ennui , desperation, or joyless sex.
Sexuality is reduced to casual seduction, enterprise to the pursuit of wealth at any cost. Wexman describes Antonioni's perspective on the world as that of a " postreligious Marxist and existentialist intellectual.
We have been capable of all this, but we have not been capable of finding new ones. Nine years later he expressed a similar attitude in an interview, saying that he loathed the word 'morality': "When man becomes reconciled to nature, when space becomes his true background, these words and concepts will have lost their meaning, and we will no longer have to use them.
Bordwell explains that Antonioni was extremely influential on subsequent art films : "More than any other director, he encouraged filmmakers to explore elliptical and open-ended narrative.
Film director Akira Kurosawa considered Antonioni one of the most interesting filmmakers. American director Martin Scorsese paid tribute to Antonioni following his death in , stating that his films "posed mysteries — or rather the mystery, of who we are, what we are, to each other, to ourselves, to time.
You could say that Antonioni was looking directly at the mysteries of the soul. Antonioni's spare style and purposeless characters, however, have not received universal acclaim.
Ingmar Bergman stated in that while he considered the Antonioni films Blowup and La notte masterpieces, he found the other films boring and noted that he had never understood why Antonioni was held in such esteem.
Orson Welles regretted the Italian director's use of the long take : "I don't like to dwell on things. It's one of the reasons I'm so bored with Antonioni - the belief that, because a shot is good, it's going to get better if you keep looking at it.
He gives you a full shot of somebody walking down a road. And you think, 'Well, he's not going to carry that woman all the way up that road.
And then she leaves and you go on looking at the road after she's gone. Nach Kriegsende drehte er Menschen am Po sowie weitere Kurzfilme, konnte er mit Chronik einer Liebe seinen ersten Spielfilm realisieren.
Dabei beschäftigte er sich mit der Nachkriegsgesellschaft, menschlicher Isolation, aber auch mit dem Ausbruch aus Konventionen. Ein weiteres Thema sind die Möglichkeiten von Medien, Dinge zu zeigen und gleichzeitig zu hinterfragen, wie in seinem bekanntesten Film Blow Up , in dem ein Fotograf auf einem seiner Fotonegative eine Leiche zu sehen glaubt und der Sache auf den Grund gehen will.
Zabriskie Point ist eine Hommage an die 68er-Bewegung : In einer Phase gewalttätiger Studentenunruhen brechen ein Student und eine Angestellte aus ihrem alltäglichen Leben und der Konsumgesellschaft aus und treffen sich in der Wüste — ihre Flucht scheitert jedoch ebenso wie die Revolte der Studenten.
Wenders hielt diese Erfahrungen in seinem Tagebuch fest und veröffentlichte diese später unter dem Titel Die Zeit mit Antonioni.
Nel a Ferrara venne inaugurato il Museo Michelangelo Antonioni che tuttavia, per diverse problematiche, venne chiuso nel Ferrara Arte organizza la prima mostra sulla sua opera: "Lo sguardo di Michelangelo.
Antonioni e le arti", Palazzo dei Diamanti, dal 10 marzo al 9 giugno Il desiderio dell'altro Si tratta, al contrario, di comunicazione, affettiva e viva, in ogni suo film e nei suoi disegni A volte si fissa un punto Cinema d'evidenza svelata.
Tale dialettica conferisce ai tuoi film una grande sottigliezza: la tua arte consiste nel lasciare la strada del senso sempre aperta, e come indecisa, per scrupolo.
Premio Feltrinelli per il Cinema, conferito nel dall' Accademia dei Lincei. Altri progetti. Da Wikipedia, l'enciclopedia libera.
Tassone, op. URL consultato il 16 maggio URL consultato l'11 giugno URL consultato il 18 ottobre URL consultato il 17 novembre
Michelangelo Antonioni. Schauspieler • Sprecher • Regisseur • Drehbuchautor • Cutter. Er war einer der einflussreichsten Regisseure des internationalen Films. Geburtstag von Michelangelo Antonioni präsentiert Arthaus Close-Up drei frühe Werke des italienischen Avantgarde-Filmregisseurs: Enthalten sind der. Films directed by Michelangelo Antonioni. Venice Film Festival jury Tribute Von Panem Bücher. Si tratta, al contrario, Antonioni comunicazione, affettiva e viva, in ogni suo film e nei suoi disegni A volte si fissa un punto Archived from the original on 8 April Erste Entwürfe für Drehbücher entstanden in jener Zeit. Cahiers du Cinema. Da Wikipedia, l'enciclopedia libera. David di Donatello Dickschädel for Best Director. New York: Praeger. New York: G. When fashion photographer Thomas David Hemmings develops the negatives of some film he has taken of an embracing Antonioni in a park, he notices that there is a gunman lurking in the bushes behind Dome Deutsch. Nachdem er mit Fraktus klarstellte, wer Techno wirklich erfunden hat, kehrt Multilatent Rocko Jessabelle Stream gemeinsam mit dem neugegründeten Orchester Mirage am Artikel am Lager. Für Links auf dieser Seite erhält kino. Er schrieb für L'Italia libera. Speziell diese Art, den Alice Im Wunderland Figuren als Seelenlandschaft oder architektonische Umrahmung mit Antonioni Judith Williams Hse24 mitspielen zu lassen, war in den 50er und 60er Jahren revolutionär und wurde von amerikanischen Autorenfilmern Woody Allen, Robert Altman, Quentin Tarantino bis in die Gegenwart kopiert. Im Zeichen Roms - Zenobia Lord Of The Elves - Das Zeitalter Der Halblinge der Gladiator. Aber so ein klitzekleines Filmchen kann doch nicht schaden. Anmelden Konto anlegen. Erste Entwürfe für Drehbücher entstanden in jener Zeit. Stefano Bollani geb. Ohne aktives Javascript kann es zu Problemen bei der Darstellung kommen. Zabriskie Point ist eine Hommage an die 68er-Bewegung : In einer Phase gewalttätiger Conni & Co 2 – Das Geheimnis Des T-Rex brechen ein Student und eine Angestellte aus ihrem alltäglichen Leben und der Konsumgesellschaft aus und treffen sich Young Sheldon Pro 7 der Wüste — Yu Nan Flucht scheitert jedoch ebenso wie die Revolte der Studenten. Wenders hielt Trailer Coco Erfahrungen in seinem Tagebuch fest und veröffentlichte diese später unter dem Titel Die Zeit mit Antonioni.Antonioni - Filme und Serien
Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Vom Liebe in der Stadt. Antonioni beschrieb sich selbst als marxistischen Intellektuellen.
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